Father, son and the muse.

When a free-spirited young woman enters their world, the lives of great painter Renoir and his future filmmaker son Jean are changed forever.

The Côte d’Azur. 1915. In his twilight years, Pierre-Auguste Renoir is tormented by the loss of his wife, the pains of arthritic old age and the terrible news that his son Jean has been wounded in action. But when a young girl miraculously enters his world, the old painter is filled with a new, wholly unexpected energy. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. Back at the family home to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden - and in the face of his father’s fierce opposition - he falls in love with this wild, untameable spirit... and as he does so, within weak-willed, battle shaken Jean, a filmmaker begins to grow.

Hortense Laborie, a renowned chef from Perigord, is astonished when the President of the Republic appoints her his personal cook, responsible for creating all his meals at the Elysée Palace. Despite jealous resentment from the other kitchen staff, Hortense quickly establishes herself, thanks to her indomitable spirit. The authenticity of her cooking soon seduces the President, but the corridors of power are littered with traps... Based on the extraordinary true story of President Francois Mitterand's private cook.

Pilgrimage to the Birth of Mother Teresa.

Macedonian director Teona Strugar Mitevska (God Exists, Her Name Is Petrunija, The Happiest Man in the World) presents a bold and unconventional portrait of Mother Teresa of Calcutta in her new film Mother, played by Swedish actress Noomi Rapace (Prometheus, Ada). The film focuses on the story of the nun before she became a world-famous figure. Its aim is to explore the real person behind the myth of Mother Teresa, revealing her complexity, ambition, and inner struggle. The film was the opening and competition film in the Orizzonti section at the Venice Film Festival.

Maybe no one really exists, and it's only raining outside.

In a submerged city, a young girl continues to care for a large egg that she holds preciously in her arms. She believes it is the egg of an angel. A boy with a huge gun alights from a peculiar chariot. He is in search of the bird he saw in his dream. In an abandoned city, it seems as if a faint sense of sympathy has developed between the two, however one night, the boy crushes the girl’s egg.

Angelʼs Egg is an animated film written, directed, and conceived by Mamoru Oshii (Ghost in the Shell) with original concept and art direction by Yoshitaka Amano (known for the Final Fantasy series). Originally released in 1985 as an OVA (original video animation), the film has since gained worldwide recognition as a unique and iconic work. Created in the early days of their careers, this collaboration between two of Japanʼs most celebrated creators became a cult classic, known for its haunting visuals and peerless, enigmatic worldbuilding. It is now regarded as a legendary piece in the history of animation, celebrated both as a cinematic and artistic masterpiece. To commemorate the filmʼs 40th anniversary, a fully remastered 4K version is set for worldwide release in 2025. Overseen by director Mamoru Oshii himself, the original 35mm negatives were scanned and restored using state-of-the-art technology. A format suitable for Dolby Cinema screenings has also been produced.

Every drop counts.

There are no miracles... or are there? A heartwarming comedy about a grumpy retiree whose life changes after an unlikely friendship. Two-time Oscar-nominated director Hannes Holm (A Man Called Ove) joins forces with the star of the global box-office hit The 100-Year-Old Man, to bring a deeply emotional and universal story to life.

In the heart of a quaint Småland village, the grumpy Ingmar lives a strictly regimented life. Ever since his wife Inger passed away a few years ago, his relationship with his daughter has deteriorated. The only things left in his life are his annoying, divorced neighbour and his late wife's roses, the only thing he still cares to nurture. As the hottest and driest summer in living memory drags on, everyone waits for rain that never seems to come. But through what might be a miracle or sheer coincidence, Ingmar finds himself thrust into the spotlight of an event that will change not only his life but the entire village's fate — perhaps even the world.Every drop counts.

There are no miracles... or are there? A heartwarming comedy about a grumpy retiree whose life changes after an unlikely friendship. Two-time Oscar-nominated director Hannes Holm (A Man Called Ove) joins forces with the star of the global box-office hit The 100-Year-Old Man, to bring a deeply emotional and universal story to life.

In the heart of a quaint Småland village, the grumpy Ingmar lives a strictly regimented life. Ever since his wife Inger passed away a few years ago, his relationship with his daughter has deteriorated. The only things left in his life are his annoying, divorced neighbour and his late wife's roses, the only thing he still cares to nurture. As the hottest and driest summer in living memory drags on, everyone waits for rain that never seems to come. But through what might be a miracle or sheer coincidence, Ingmar finds himself thrust into the spotlight of an event that will change not only his life but the entire village's fate — perhaps even the world.

A stubbornly traditional eighty-year-old farmer - whose social attitudes verge on the prehistoric - raises hell when he is forced to move in with his sadsack, city-dwelling son and domineering daughter-in-law.A stubbornly traditional eighty-year-old farmer - whose social attitudes verge on the prehistoric - raises hell when he is forced to move in with his sadsack, city-dwelling son and domineering daughter-in-law.

In the slums of Rio, two kids' paths diverge as one struggles to become a photographer and the other a kingpin.

Walter Salles presents Fernando Meirelles’ blistering epic of drug-trafficking, gang warfare, burning ambition and violent retribution in Rio’s most notorious slum. Based on real life events, ''City of God'' reveals the dark side of Brazilian street life with a passionate and explosive energy. 1960s - City of God: home to Buscapé, an 8-year-old boy who dreams of becoming a photographer, and Dadinho, also 8. Dadinho takes part in armed robberies for neighbourhood gangster Cabeleira: with Cabeleira’s approval, he commits his first murder. 1970s - Buscapé walks a fine line between petty crime and the straight life. Dadinho already has several killings to his name, and leads a gang ruled through trickery and cold-hearted betrayal. Realising that real power and big money lie with control of the local narcotics trade, he pursues his goal ruthlessly. 1980 - Buscapé finally gets hold of a camera and realises his childhood ambition. Dadinho has also accomplished his dream: at 18, he is the most feared drug dealer in Rio. With his army of young hooligans, Dadinho rules unchallenged, until Mané Galinha swears revenge for the rape of his girlfriend and resolves to kill Dadinho, whatever the cost. War erupts in the favela. But the film is not just the story of Buscapé and Dadinho. The true protagonist is the place itself, and the people who live, struggle, win, lose and die there.In the slums of Rio, two kids' paths diverge as one struggles to become a photographer and the other a kingpin.

Walter Salles presents Fernando Meirelles’ blistering epic of drug-trafficking, gang warfare, burning ambition and violent retribution in Rio’s most notorious slum. Based on real life events, ''City of God'' reveals the dark side of Brazilian street life with a passionate and explosive energy. 1960s - City of God: home to Buscapé, an 8-year-old boy who dreams of becoming a photographer, and Dadinho, also 8. Dadinho takes part in armed robberies for neighbourhood gangster Cabeleira: with Cabeleira’s approval, he commits his first murder. 1970s - Buscapé walks a fine line between petty crime and the straight life. Dadinho already has several killings to his name, and leads a gang ruled through trickery and cold-hearted betrayal. Realising that real power and big money lie with control of the local narcotics trade, he pursues his goal ruthlessly. 1980 - Buscapé finally gets hold of a camera and realises his childhood ambition. Dadinho has also accomplished his dream: at 18, he is the most feared drug dealer in Rio. With his army of young hooligans, Dadinho rules unchallenged, until Mané Galinha swears revenge for the rape of his girlfriend and resolves to kill Dadinho, whatever the cost. War erupts in the favela. But the film is not just the story of Buscapé and Dadinho. The true protagonist is the place itself, and the people who live, struggle, win, lose and die there.In the slums of Rio, two kids' paths diverge as one struggles to become a photographer and the other a kingpin.

Walter Salles presents Fernando Meirelles’ blistering epic of drug-trafficking, gang warfare, burning ambition and violent retribution in Rio’s most notorious slum. Based on real life events, ''City of God'' reveals the dark side of Brazilian street life with a passionate and explosive energy. 1960s - City of God: home to Buscapé, an 8-year-old boy who dreams of becoming a photographer, and Dadinho, also 8. Dadinho takes part in armed robberies for neighbourhood gangster Cabeleira: with Cabeleira’s approval, he commits his first murder. 1970s - Buscapé walks a fine line between petty crime and the straight life. Dadinho already has several killings to his name, and leads a gang ruled through trickery and cold-hearted betrayal. Realising that real power and big money lie with control of the local narcotics trade, he pursues his goal ruthlessly. 1980 - Buscapé finally gets hold of a camera and realises his childhood ambition. Dadinho has also accomplished his dream: at 18, he is the most feared drug dealer in Rio. With his army of young hooligans, Dadinho rules unchallenged, until Mané Galinha swears revenge for the rape of his girlfriend and resolves to kill Dadinho, whatever the cost. War erupts in the favela. But the film is not just the story of Buscapé and Dadinho. The true protagonist is the place itself, and the people who live, struggle, win, lose and die there.

The Last Days of Louis XVI and Marie Antoinette.
1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.The Last Days of Louis XVI and Marie Antoinette.
1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.The Last Days of Louis XVI and Marie Antoinette.
1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.The Last Days of Louis XVI and Marie Antoinette.
1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.The Last Days of Louis XVI and Marie Antoinette.
1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.The Last Days of Louis XVI and Marie Antoinette.
1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.

The third installment in “The Grump” series about the stubborn elderly Finnish farmer. This time, the titular character embarks on a quest to Germany to find a replacement for his beloved second-hand car, but also ends up confronting his past.

A film about healing old wounds. The Grump’s everyday life in the deepest of Finland rolls forward according to old routines. He’s busy working on his farm, but memories of his big brother Tarmo are bothering him. Tarmo moved to Germany decades ago, and they lost touch. One day the Grump crashes his beloved Escort, and the car is taken to the junkyard. But he is particular when it comes to cars; any old car won’t do. The nearest 1972 Escort is in Germany, which is where he soon heads. After being robbed, he wakes up in a hospital with Tarmo at his bedside. The brothers, who are polar opposites of one another, look for the Escort together. Little by little, after a number of disagreements, they start to get along. Both have experienced losses in life, and don’t want to lose each other again. How far are they willing to go to achieve the thing that makes life worth living?The third installment in “The Grump” series about the stubborn elderly Finnish farmer. This time, the titular character embarks on a quest to Germany to find a replacement for his beloved second-hand car, but also ends up confronting his past.

A film about healing old wounds. The Grump’s everyday life in the deepest of Finland rolls forward according to old routines. He’s busy working on his farm, but memories of his big brother Tarmo are bothering him. Tarmo moved to Germany decades ago, and they lost touch. One day the Grump crashes his beloved Escort, and the car is taken to the junkyard. But he is particular when it comes to cars; any old car won’t do. The nearest 1972 Escort is in Germany, which is where he soon heads. After being robbed, he wakes up in a hospital with Tarmo at his bedside. The brothers, who are polar opposites of one another, look for the Escort together. Little by little, after a number of disagreements, they start to get along. Both have experienced losses in life, and don’t want to lose each other again. How far are they willing to go to achieve the thing that makes life worth living?The third installment in “The Grump” series about the stubborn elderly Finnish farmer. This time, the titular character embarks on a quest to Germany to find a replacement for his beloved second-hand car, but also ends up confronting his past.

A film about healing old wounds. The Grump’s everyday life in the deepest of Finland rolls forward according to old routines. He’s busy working on his farm, but memories of his big brother Tarmo are bothering him. Tarmo moved to Germany decades ago, and they lost touch. One day the Grump crashes his beloved Escort, and the car is taken to the junkyard. But he is particular when it comes to cars; any old car won’t do. The nearest 1972 Escort is in Germany, which is where he soon heads. After being robbed, he wakes up in a hospital with Tarmo at his bedside. The brothers, who are polar opposites of one another, look for the Escort together. Little by little, after a number of disagreements, they start to get along. Both have experienced losses in life, and don’t want to lose each other again. How far are they willing to go to achieve the thing that makes life worth living?

A humorous, intriguing, and devious tale about identity starring Mads Mikkelsen, and directed by Anders Thomas Jensen (Riders of Justice, Adam's Apples).

Anker is released from prison following a fifteen-year sentence for robbery. The money from the heist was buried by Anker’s brother, Manfred. Only he knows where it is. Unfortunately, Manfred has since developed mental health issues, causing him to forget everything. Together, the brothers embark on an unexpected journey to locate the money and discover who they really are.A humorous, intriguing, and devious tale about identity starring Mads Mikkelsen, and directed by Anders Thomas Jensen (Riders of Justice, Adam's Apples).

Anker is released from prison following a fifteen-year sentence for robbery. The money from the heist was buried by Anker’s brother, Manfred. Only he knows where it is. Unfortunately, Manfred has since developed mental health issues, causing him to forget everything. Together, the brothers embark on an unexpected journey to locate the money and discover who they really are.A humorous, intriguing, and devious tale about identity starring Mads Mikkelsen, and directed by Anders Thomas Jensen (Riders of Justice, Adam's Apples).

Anker is released from prison following a fifteen-year sentence for robbery. The money from the heist was buried by Anker’s brother, Manfred. Only he knows where it is. Unfortunately, Manfred has since developed mental health issues, causing him to forget everything. Together, the brothers embark on an unexpected journey to locate the money and discover who they really are.